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Roslye Ultan is a Professor Emeritus from UNM/CCE Graduate Interdisciplinary Studies Program with a specialty in Art History/and Visual Culture. She was awarded two grants from the Institute on the Environment for exhibitions and workshops on the intersection of the arts and environmental sciences. Ultan has written articles and presented at conferences on the connections of the common trail of art and science; she further chooses to express ideas about the natural environment crisis and its beauty in poetic form, drawing on personal experience, which articulate imminent social and spiritual yearnings. Her poetry has been published in A Poets Speak Anthology: Hers, vol 2, Water vol 3, Walls, vol 4, Survival, vol 5; Echoes of Voices of Wisdom, the Waters of Creation, North Stone Review, Blues Moon Journal, among others. She will be reading from her book of poetry, Convergence, which features poems with musical rhythms and lyrical forms. In this collection, she chronicles her journey encompassing childhood, marriage and widowhood, travel, heritage, traditions, and spiritual reflections. She writes, Spread wide/ to unknown places/ plant your sacred seed in generative emerald groves.
Roslye Ultan holds degrees from Dickinson College, Carlisle, Pennsylvania, BA; American University, D.C. MA; and Post-Graduate Fellow of the Smithsonian Institution, Washington, D.C. She is the widow of composer Lloyd Ultan and lives in Minneapolis.
A Summons
Come in, oh, immortal muse
Amuse me, tempt my desire to create
on this empty page waiting weary without words
Athena, good goddess of poetry, music and all arts do not refuse
Spread wide your wisdom wings rapt high above the clouds
Unmask this aching heart choked inside a bundle of wounds
Summon me away from dark despair of Poseidon’s abuse
Bring news of two young sisters loose in swirling waters
Abandoned home to claim their rightful place as mortal souls
Baptized by Amphitrite, daughter of Oceanus, to be reborn
Awakened by rose-red figured Dawn to feast the flow of savory grain
Stirred thoughts of home into their shielded hearts
Begging me to escape blank arid fields
Escape excuses to refuse the wand of Athena to compose
This tale mooring inside my head
As of now come this very moment
And listen to my words of many hues…
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You Told Me — in four movements
AGITATO
I told you
you occupy center stage
no other
invades my concentration
I told you
we are a bundle of particles
held together by colliding dark sources
spinning around the distant sun
right now
your energy enlivens me
charging my being with lightness
right now
my mind quickens
blood courses in every vein
ADAGIO
I told you
you made me laugh
and made me cry—and remember
how it feels to love
and to want to be loved—still
you stand at a distance
you project a journey to an unknown kingdom
go ahead and love the trapeze artist
desire appears a bestial pollutant
right now
we kiss in air, and try again, yet again, but it draws no Hallelujah
I say, you crack and break my spirit
but, the fact is early on you said, I’m not to blame
because my heart is chained…you cannot unlock it
go swiftly back into the badger’s earth, to the well of Ruth
VIVACE
The dark horse bolts across the field
its phantom rider grips the reins
disturbed he hesitates along the rocky road
the rider who warned he was a stone
weakened as her soothing touch
drew life from what could come into being
ANDANTE
Did you know me, did I know you?
even though we said here I am, here I am, Hineni,*
on earth—tossed together in the fugue of life.
*Hineni, Hebrew word meaning here I am; a call for love, devotion, and a willingness to sacrifice for others
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